I've been playing (claying as some very popular advocates of this art form call it) for many hours during the past week. If you haven't started working with this medium, here are some tips:
1. Know that in order to "really" do artwork with this medium, you will be spending roughly $100 - $200 to get started, even though the clay is not expensive. The main polymer clays, and there are many brands, each with their own properties, range from around $1.25 on sale to about $3.00 for a 2 oz. brick. This is about enough to do one project or a couple of experiments. You will likely want several colors. I've not yet tried much blending of hues, tones and colors -- I did soften a blue using white clay -- but supposedly if you start with the metallics and black, white, red, yellow and blue, it makes sense that you can create about any color on the color wheel.
You MUST have a pasta roller machine, or the art clay version. If you can get one whose handle doesn't keep coming out, more the better. I have one with the removable handle. I read in a blog that you can put magnets on the each side of the handle and it will stay in. Haven't tried this yet.
Now, I must say that I am truly enjoying this craft, and I am starting to make items that I would actually show to someone outside of my family who see all my experiments and are used to it. As you see in the title, pretty much any book you pick up about Polyclay work has the phrase "there are no mistakes in polyclay work, only adventures! Enjoy" And, I would say that I have spent more time laughing out loud as I try different glazes, alcohol pens, metallic powders, power tools, and cutting razors, and all sorts of other new materials (new to me, anyway) that this is great therapy if nothing else.
Another necessary item is a small food processor, nothing fancy, just high, low and off, small bowl and one cutting blade will do the trick. You have to dedicate the tools to clay, because, while the clays are supposed to be non-toxic, every book says not to trust your food and family to that claim. Every single source says this.
So, off to eBay to look for a used toaster oven. I found one for $25 including shipping. It is basic, and I understand that convection ovens that are larger are the true artists' choice for this medium, for people who create small statues, vases and so forth, but for me, I'm in this for the jewelry, and also to learn what I can before I purchase a Metal Clay Kiln and work with the metal clays that cost about $20/2 oz. I'm already learning much. Every hour I spend is productive.
You will want to collect or purchase some small metal boxes, like those strong mints, and perhaps some jewelry pieces, like empty bevel pendants, findings, etc. But I am finding that my jewelry metals, plus the jewels so far are doing fine with the 275 heat of the toaster oven... so, if you are a jeweler, then you are fine there for most things.
You will need long blades that are sold where you purchase the clay to cut it. These are musts. Most of the books I have read recommend both straight (which are your main stay) and wavy, which I used the other day for a border and it was really cool.
And, very important, you need a book with step by step directions for a multitude of polymer clay techniques, especially for jewelry. I am using The Encyclopedia of Polymer Clay Techniques: A Comprehensive Directory of Polymer Clay Techniques Covering a Panoramic Range of Exciting Applications
If you are a scrapbook person, you know who you are!, you will have many of the fiskars interesting blade scissors, punches, and rubber stamps, plus perhaps some transfers, and other interesting things to play with while working with this medium. There are LOTS of overlaps with other crafts in the Poly Clay World, as it is a multifaceted world, even multi-dimensional, which is part of why I am having so much fun.
You will want some fun stuff like metallic powders, picture transfer sets, paints that you mix with either gum arabic or a liquid polyclay depending on what effect you are looking for... and some "cookie cutter" type equipment, plus what you can make on your own from either a trip to the hardware store, a shopping excursion in your own kitchen, a raid of your tool chest, or all of the above. Sponges, toothpicks, chopsticks, really anything with texture or shape that you can spare will come in handy.
You use the pasta roller and the mini food processor to "condition" the clay which is pretty hard when you get it, and it must be pliable to use it. Different clays need different kinds of conditioning. There is one brand, regular Sculpey, that just crumbles for me. There is some kind of plasticizer you can purchase to reclaim the clay, but so far, I've just avoided using any more of this. The nicer clays are FIMO, FIMO soft and FIMO effects, Premo!Sculpey, Studio Sculpey in my experience. I just ordered a higher grade clay from DickBlick.com, and I'll let you know about it.
I spend the first hour or so that I am working with the clay deciding what to do, setting up, and conditioning the clay with the various methods. The various projects take from minutes to days, then the baking is basically 30 minutes, usually at 275 F degrees, but check the clay to see what the manufacturer recommends. I've been making completely tacky boxes, as samplers... to try as many varied textures and effects as I can in one sitting. I've also used professional bead rollers, which I highly recommend, and made a couple sets of very basic beads.
In store for the weekend perhaps: I am taking down the powertools! I am going to usI know this sounds perhaps a bit well, provocative, but it is all in good fun. The clay likes the domination and to become what I want it to become, but don't worry, it has a mind of its own, too.
So, that is the situation to date. learning so much. very grateful to have been lead to working with Poly Clay and friends, and looking forward to more.
Stay tuned. I am about to start making a set of several wishing beads (still the working title, otherwise known as prayer beads, malas, rosaries...) and I will report on this as well. I made a really nice aventurine centered necklace that was just what I needed, and I am stuck on garnets and garnets with amethyst and silver. I have made yet another really nice necklace which I am wearing as I write.
I wish for you the time to play, to laugh and to have a chance to take yourself lightly ... it is an honor and a privilege to be an artist of any kind, I think, and it is, in my opinion, a big part of the reason we like being on this planet that circles around a mid-sized star.
Blessed be, with respect and love,
Laurie
Dr. Laurie Sherman
Satya Rising Studios
Vienna, VA 22180
Opus Arts, Inc.